cross-posted here Maverick has a great piece at Man’s World Online examining cryptocurrency’s role in the evolution of money and its potential to concretize abstract ideas about freedom and truth. He looks at the work of classicist Richard Seaford along with Costin Alamariu to map the links between coinage and philosophy. “The pre-Socratics and the Socratics inherited a thoroughly…
Tag: law
▇ █ WEEKEND LINKS █ ▇: Imitative Passion; Debasement; Mob Rule; Wolves
12 Things I Learned from Rene Girard: “By desiring the same thing as our neighbor, we are drawn into inevitable conflict. Mimetic desire turns into mimetic rivalry—in everything from love to war. That’s the reason for the injunction against ‘coveting your neighbor’s wife.’ Girard claims this is emblematic of how mimetic impulses destroy a community….
▒▓█ w̳̿͟͞e̳̿͟͞e̳̿͟͞k̳̿͟͞e̳̿͟͞n̳̿͟͞d̳̿͟͞ ̳̿͟͞l̳̿͟͞i̳̿͟͞n̳̿͟͞k̳̿͟͞s̳̿͟͞ █▓▒░ philosophical automatisms, pervasive untruths, the value of marginal & discarded information
Bitcoin and Philosophy: “Bitcoin seizes philosophical attention because it is already doing philosophy – or what philosophy is still (on ever rarer occasions) expected to do – and at multiple levels. It tells the truth. Bitcoin is not only a recognizable philosophical statement, but also, and more importantly, a philosophical automatism, a synthetic philosophical machine.[6]…
ẅ̴͍é̷̞̲͐e̵̺̊͜ķ̷̥́̃e̸͎̣̼͂n̴̬̄d̸̡̈́ ̴̯̲̠̈́̾ĺ̸̯͎̯̈́i̷̻̼̚n̸̰̲̽̈̍k̴̖͆̊s̴̤̓̄: feral rampage, joyous apocalypticism, Texas
Are People Really Fleeing Texas? “…this story needs spicing up. I’d suggest working in some details about millions of feral hogs on the rampage out west, while hunters strafe them with machine guns from their private helicopters flying overhead. ” Avant Garde at the End of the American Empire: “Miami is itself a kind of symbol…
WEEKEND LINKS
A GUIDE to IANNIS XENAKIS’S MUSIC: “When you hear Xenakis’s music – any piece of what we recognise as his mature work, starting with 1954’s Metastasis, onwards – you’re confronted with an aesthetic that seems unprecedented according to any of the frames of reference that musical works usually relate to. You won’t hear vestiges of things…