Tag: cinema
w҉̢̡̹̮͌̄ͦ͜͟͟͞͠͞e̵̡̫̫͍͕̎ͭ̐͟͟͝͞e̵̡̫̫͍͕̎ͭ̐͟͟͝͞k҉̴̶̬͈̫̹͖̾̎ͭ́̍̐͜͜͝͠e̵̡̫̫͍͕̎ͭ̐͟͟͝͞n̸͐̈́͟͟͝d҉̴̷̧̢̛̖͔̤ͯ̔̑̄͢͟͡͠ l̶҉̰͚͖͕̍̈́̅͗̏̇͢͜͜͝i҉̧̯̤̙͔̑ͧ̅̔ͦ́͜͟͢͝͠n̸͐̈́͟͟͝k҉̴̶̬͈̫̹͖̾̎ͭ́̍̐͜͜͝͠s҉̝̭̦͚̑ͯ̌͡
End the Cosmopolitan Monopoly: “Our current indulgence of cosmopolitanism can’t endure. It’s ultimately a facile and feel-good doctrine employed by the elites in direct contradistinction to the wishes of the majority. It’s a point of view and state of mind that contains too many inconsistencies, and that causes too much damage. Ultimately, it’s anti-natural. It…
WEEKEND LINKS
A GUIDE to IANNIS XENAKIS’S MUSIC: “When you hear Xenakis’s music – any piece of what we recognise as his mature work, starting with 1954’s Metastasis, onwards – you’re confronted with an aesthetic that seems unprecedented according to any of the frames of reference that musical works usually relate to. You won’t hear vestiges of things…
SEXY BEAST: A Love Story
A blogger asks: “Does Sexy Beast contain cinema’s best description of love?” “‘Don’t be fooled by the genre trappings, this film is about how love can steer you away from harm.” https://t.co/eICzZ4x6yx — тцпдяапацт (@tundranaut) May 13, 2020 SOURCE: Little White Lies
Where Am I, and How Can I Leave?
FIRE WALK WITH ME, deleted scenes
“Existence…is the ultimate pathological state.”
“A dark pit has opened in the floor of the living room, and she can see the appetite for cruelty and murder that underpins the foundations of her domestic life.” https://t.co/o5BXxKAWo8 — ᵗ ᵘ ⁿ ᵈ ʳ ᵃ ⁿ ᵃ ᵘ ᵗ (@tundranaut) May 8, 2019
Trap Worlds
Maybe the best fan theory/analysis of TWIN PEAKS to surface yet. The analysis involves a “trap world.”