Beyond Thaumatophobia 3: The End of the Age of Reason: “[My father, a] lifelong materialist…was startled one day to hear his mother’s voice from the ground floor of his house, calling his boyhood nickname. That was a bit of a surprise, since she was 300 miles away at the time. Startled, he went to look,…
Tag: movies
weekend links: warzone conditions, spiritual cannon fodder, 2 hours in the dark
A National Divorce From Reality: “Douglas MacArthur famously stated ‘It is fatal to enter any war without the will to win it.’ Conservatives still have not grappled with the fact that their political will has been consistently shown to be much smaller than that of liberals. The Floyd Riots showed just how primed for derangement…
weekend links: twilight, starlings, gods
Christianity is Not Monotheistic: “…angels were made to sing. Specifically, to sing the cosmos into existence. That’s why the medievals organized them into ‘choirs.’” Cormac McCarthy’s New Books of Revelation: “Everyone easily notices the Old Testament style, but rather than saints and gods, we encounter simple men who are driven by an instinctive solidarity for…
Mid-Week Links: Shatter Zones, Cultures of Refusal, Glory
A Far Away Planet to Which I Would Never Return — The vanishing horizon line of Terrence Malick‘s BADLANDS: “Kit is a trash collector by trade, Batailling against the solar surpluses reclaimable in the culturubble, throwing away items of no-to-low utility, revealing how even The Outsider can only seek emancipation from materialism in refuse materials,…
Q&A with @L0m3z: Wages of Fear, the Rejection of Falseness, and Navigating Hell
I first came across the @L0m3z Twitter account circa 2016 or 2017 and I was struck by how the things this person wrote in 140 characters were not simply tweets — they were great pieces of standalone writing. Fast forward to the current year and @L0m3z is one of the kings of anonymous Twitter. He…
#WEEKENDLINKS
Culinary Mysticism — review of “Pig,” starring Nicolas Cage (IM1776) Rob does not hate Portland; like Socrates, who dismisses outright the idea of fleeing Athens for Thessaly, he sees it from the standpoint of eternity, and so both loves it and knows it to be deeply broken: Amir: “If the city floods we can always…
wEeKeNd LiNkS
Suddenly, On Halloween (Wrath of Gnon) Why don’t I know any of my neighbors? Why are the young couple down the street not around anymore? When did they move out? They seemed so nice. The Reality War (The Upheaval) Maybe now you are willing to believe that a good portion of our world’s political strife…
w҈҉҈҉e҈҉҈҉e҈҉҈҉k҈҉҈҉e҈҉҈҉n҈҉҈҉d҈҉҈҉ ҈҉҈҉l҈҉҈҉i҈҉҈҉n҈҉҈҉k҈҉҈҉s҈҉҈҉
The Putney Spoons Interviews: Malcom Kyeyune – Knowing Me, Knowing Kyeyune (Fisted by Foucault) There’s a scene in the old Jurassic Park movie that is pretty instructive… After the hacker Dennis Nedry basically knocks out the entire computer system necessary to run the park in order to disable the security and cameras so he can…
ẅ̷̷̢̟͇͈̒ę̷̵̧̖̫̗̆̊ę̷̵̧̖̫̗̆̊k̶̸͙̭̹͆͟ę̷̵̧̖̫̗̆̊n̷̶̯͉̊̽̐ͦ͘d̸̡̩͍̔ͥ͜ ḻ̸͈ͧ͑̓̓̀͡i̵͓͙̱͚̎͟n̷̶̯͉̊̽̐ͦ͘k̶̸͙̭̹͆͟s̩͙͖̋͛͟
2#: Notes on the Desertification of Signs and Men (Some Private Diagonal) After America, Baudrillard often returns to this theme of banalisation. With his Stateside serenity having vanished, he frames the unstoppable advance of the desert of banality in increasingly bleak terms. He speaks often of loss – of the Westerner having ‘lost his alterity’, or sometimes ‘his…
N E I G H B O R S
Cross-posted at Medium ‘Neighbors,’ a 1981 film starring John Belushi and Dan Aykroyd, has been lost to cinematic obscurity, which is sad because the movie is a masterpiece that ruthlessly deploys discomfort and tension as comedic tools. Recently I watched it again and came away impressed with how the movie has aged. It may be funnier than…
WEEKEND LINKS
A GUIDE to IANNIS XENAKIS’S MUSIC: “When you hear Xenakis’s music – any piece of what we recognise as his mature work, starting with 1954’s Metastasis, onwards – you’re confronted with an aesthetic that seems unprecedented according to any of the frames of reference that musical works usually relate to. You won’t hear vestiges of things…