A Far Away Planet to Which I Would Never Return — The vanishing horizon line of Terrence Malick‘s BADLANDS: “Kit is a trash collector by trade, Batailling against the solar surpluses reclaimable in the culturubble, throwing away items of no-to-low utility, revealing how even The Outsider can only seek emancipation from materialism in refuse materials,…
Tag: power
weekend links
Making Sense of a Weird War (The Outpost): What’s really going on? What is it about? Only one thing is for sure: if you hear it in the news, it’s not it. We’ve talked before about the Russian establishment’s role in enforcing the Global System. They are the bad cop that will help wasted regimes…
weekend links
Vodka & Petrol Martini, Stirred not Shaken (The Outpost): Kazakh energy resources do not stop at uranium. The country is a major fossil fuel exporter, pumping out about 1.6 million bpd of petrol (more than Qatar, Libya or Algeria). About 3/4 of this is exported, either to Western Europe or to China, in direct competition…
w҈҉҈҉e҈҉҈҉e҈҉҈҉k҈҉҈҉e҈҉҈҉n҈҉҈҉d҈҉҈҉ ҈҉҈҉l҈҉҈҉i҈҉҈҉n҈҉҈҉k҈҉҈҉s҈҉҈҉
The Putney Spoons Interviews: Malcom Kyeyune – Knowing Me, Knowing Kyeyune (Fisted by Foucault) There’s a scene in the old Jurassic Park movie that is pretty instructive… After the hacker Dennis Nedry basically knocks out the entire computer system necessary to run the park in order to disable the security and cameras so he can…
ẅ̷̷̢̟͇͈̒ę̷̵̧̖̫̗̆̊ę̷̵̧̖̫̗̆̊k̶̸͙̭̹͆͟ę̷̵̧̖̫̗̆̊n̷̶̯͉̊̽̐ͦ͘d̸̡̩͍̔ͥ͜ ḻ̸͈ͧ͑̓̓̀͡i̵͓͙̱͚̎͟n̷̶̯͉̊̽̐ͦ͘k̶̸͙̭̹͆͟s̩͙͖̋͛͟
2#: Notes on the Desertification of Signs and Men (Some Private Diagonal) After America, Baudrillard often returns to this theme of banalisation. With his Stateside serenity having vanished, he frames the unstoppable advance of the desert of banality in increasingly bleak terms. He speaks often of loss – of the Westerner having ‘lost his alterity’, or sometimes ‘his…
WEEKEND LINKS
A GUIDE to IANNIS XENAKIS’S MUSIC: “When you hear Xenakis’s music – any piece of what we recognise as his mature work, starting with 1954’s Metastasis, onwards – you’re confronted with an aesthetic that seems unprecedented according to any of the frames of reference that musical works usually relate to. You won’t hear vestiges of things…
w͓̽e͓̽e͓̽k͓̽e͓̽n͓̽d͓̽ l͓̽i͓̽n͓̽k͓̽s͓̽
Aesthetic Signals & the Best Aesthetic: “Aesthetics can be seen as a combination of signals, a combination of memes. you need many signals to create a new meta signal, that of which can be defined as a aesthetic. It is mostly praxis based. With things that are action based, you need to convey your signal,…
w̴e̶e̴k̶e̵n̸d̵ ̸l̶i̴n̸k̴s̶
#1: A General Theory of Collaboration: “Anyone who reads Vaclav Havel’s Power of the Powerless will be struck by Havel’s portrait of Czechoslovakia forty years ago—with its voluntary window-slogans; its endless parade of crusades; its inexorable machinery of human cancellation. Havel had the right strategy for the subjects of the total state. First, they must…
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Cities and the Balance of Power: “Cities are like massive information-processing units, with real-estate markets revealing the value of being able to access the networks involved. People put a dollar value on physical colocation and proximity to others who have similarly paid a high price to access density. This implicit sorting lies at the heart of…
“You’ll hear clouds of minutely detailed orchestral sonority wrap around the solo part, like flocks of small birds mobbing an avaricious raptor; and you’ll hear a near-continuous rhythmic intensity and textural violence that takes your breath away.”
Xenakis resisted the label of being a mere mathematician in music just as surely as he refused the idea of his music’s political or social message, and it was of course how he used those scientific principles (outlined in his book, Formalized Music) to create pieces of shattering visceral power. SOURCE (author: Tom Service) —…