A Far Away Planet to Which I Would Never Return — The vanishing horizon line of Terrence Malick‘s BADLANDS: “Kit is a trash collector by trade, Batailling against the solar surpluses reclaimable in the culturubble, throwing away items of no-to-low utility, revealing how even The Outsider can only seek emancipation from materialism in refuse materials,…
Tag: pandemic
Q&A with @Stahlblau4 — Amphibious Geopolitics, Afghanistan, Junkspace, the Mirror of Galadriel, Cybernetics, and Prayer
Cornelius Stahlblau is a writer whom I’ve struck up a friendship with via Twitter and through Justin Murphy‘s Indie Thinkers group. He authors The Outpost, a substack blog devoted to organic prophecies, esoteric analysis and wild speculation on things you didn’t even know were happening. To get acquainted with The Outpost‘s style, I would first…
weekend links
Making Sense of a Weird War (The Outpost): What’s really going on? What is it about? Only one thing is for sure: if you hear it in the news, it’s not it. We’ve talked before about the Russian establishment’s role in enforcing the Global System. They are the bad cop that will help wasted regimes…
weekend links
Age of the Corporate Drone: “(Trotskyist James) Burnham…supported what in International Relations is known as rollback, the opposite strategy of promoting regime change which failed in Korea (1950) and Cuba (1961). This attitude was not meant to counter socialism with capitalism, as he considered the latter’s demise a fact. Instead, Burnham believed that the product of capitalist…
WEEKEND LINKS
A GUIDE to IANNIS XENAKIS’S MUSIC: “When you hear Xenakis’s music – any piece of what we recognise as his mature work, starting with 1954’s Metastasis, onwards – you’re confronted with an aesthetic that seems unprecedented according to any of the frames of reference that musical works usually relate to. You won’t hear vestiges of things…
w̴e̶e̴k̶e̵n̸d̵ ̸l̶i̴n̸k̴s̶
#1: A General Theory of Collaboration: “Anyone who reads Vaclav Havel’s Power of the Powerless will be struck by Havel’s portrait of Czechoslovakia forty years ago—with its voluntary window-slogans; its endless parade of crusades; its inexorable machinery of human cancellation. Havel had the right strategy for the subjects of the total state. First, they must…
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Cities and the Balance of Power: “Cities are like massive information-processing units, with real-estate markets revealing the value of being able to access the networks involved. People put a dollar value on physical colocation and proximity to others who have similarly paid a high price to access density. This implicit sorting lies at the heart of…
“…remember to die”
Simon Sellars on pandemic paranoia, self-eradication, and a taxonomy of writers: Propped inside the plague’s dimensions, Twitter is a sinkhole. Nothing escapes. Under isolation pressure, the mirror is polished and archetypes revealed. Older writers with ailing, vulnerable bodies set fire to their life’s work in the service of staring at death. Younger writers lament their…
Pandemic Inventory
Seems like a lot of people are taking inventory of their pandemic experiences, so I will too. (As someone on Twitter recently joked, citing Garrison Keillor: Nothing happened to me, and now I’m going to tell you about it.) Like millions of others, I spend a lot of time alone these days. Don’t my lonely…
“A luxury cruiseliner quarantined in San Francisco bay, its well-heeled passengers confined to their cabins for weeks on end. Holidaymakers on lockdown at a quarantined hotel in Tenerife after an Italian doctor comes down with coronavirus. A world of isolated individuals rarely leaving their homes, keeping a wary distance from one another in public, communicating with their friends and loved ones via exclusively technological means. These situations are so Ballardian as to be in the realm of copyright infringement.”
“Twenty-first century life was already Ballardian. The rapid transition, under the new viral order, into further extremes of technological alienation has only made it more so.” https://t.co/IDnD49NXWA — тцпдяапацт (@tundranaut) April 1, 2020 SOURCE: Mark O’Connell, New Statesman