Industrial Civilization Needs a Biological Future: “For decades, we have been absolutely deluged by prophecies of doom and dystopia. From the nuclear threat of the Cold War, to the ‘Population Bomb’ of the 1970s, to claims that ‘Peak Oil’ and climate change will render the future a living hell, to the latest worries about artificial…
Tag: God
Mid-Week Links: Shatter Zones, Cultures of Refusal, Glory
A Far Away Planet to Which I Would Never Return — The vanishing horizon line of Terrence Malick‘s BADLANDS: “Kit is a trash collector by trade, Batailling against the solar surpluses reclaimable in the culturubble, throwing away items of no-to-low utility, revealing how even The Outsider can only seek emancipation from materialism in refuse materials,…
Weekend Links — Hyperobjects, Temporality, and the Book of Job
Magonia As Hyperobject: “If the UFOs are psychic devices, then the real question is not about the devices or machines themselves, but what they serve as such equipment.” Metacosmos: “Behold the time machine called ‘metacosmos’ that pounds on the fabric of reality. The machine does not travel, it prints a timeline, and the world moves. Unceasing,…
Hung Upon the Torturing Tree
sharing more Chesterton, randomly A Prayer in Darkness, by GK Chesterton This much, O heaven—if I should brood or rave, Pity me not; but let the world be fed, Yea, in my madness if I strike me dead, Heed you the grass that grows upon my grave. If I dare snarl between this sun and…
The Sword I Swing Falls Shattering From the Sky
Sharing Chesteron‘s The Last Hero, just because. The wind blew out from Bergen from the dawning to the day, There was a wreck of trees and fall of towers a score of miles away, And drifted like a livid leaf I go before its tide, Spewed out of house and stable, beggared of flag and…
𝚠𝚎𝚎𝚔𝚎𝚗𝚍 𝚕𝚒𝚗𝚔𝚜: Jesus, Johnny Cash, AI, Time Travel, and Rome
A Brief Discussion of The Retrocausal and Telepathic Potential of Quantum Computation: “I was looking at a magazine with my mother. Something like Newsweek or Time. An illustration caught my attention of Lewis Carrol‘s Alice, but her body was composed of gears and circuits and there were workers tending to her. The caption below this image read “Alice in…
ШЭԐԞЭИD LЇЙҚS: Engines of Wrath, Human Violence, De-Extinction, and the Lost Wilds of Earth
AI Pluralism: “We’ve seen in real life, in both legacy institutions and AI, that institutions tend to be captured by ideologies far more irrational, delusional, misinformed, and power-hungry than the average person. The technical details of AI make it so that it is asymmetrically easy to fight for AI to be open to customization and…
AI Offerings
I shared sun cult ephemera earlier today over at Second Power — my offerings from the world of text-prompted “AI” art. Below are some other items from those same art apps. This is a miscellaneous batch with no central theme.
****WEEKEND LINKS****
How David Bowie Used William S. Burroughs’ Cut-Up Method to Write His Unforgettable Lyrics: Bowie says, “if you put three or four dissociated ideas together and create awkward relationships with them, the unconscious intelligence that comes from those pairings is really quite startling sometimes, quite provocative.” Prudence in Hell 044: All models are wrong and…
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2#: Notes on the Desertification of Signs and Men (Some Private Diagonal) After America, Baudrillard often returns to this theme of banalisation. With his Stateside serenity having vanished, he frames the unstoppable advance of the desert of banality in increasingly bleak terms. He speaks often of loss – of the Westerner having ‘lost his alterity’, or sometimes ‘his…
weekend links
Age of the Corporate Drone: “(Trotskyist James) Burnham…supported what in International Relations is known as rollback, the opposite strategy of promoting regime change which failed in Korea (1950) and Cuba (1961). This attitude was not meant to counter socialism with capitalism, as he considered the latter’s demise a fact. Instead, Burnham believed that the product of capitalist…
WEEKEND LINKS
A GUIDE to IANNIS XENAKIS’S MUSIC: “When you hear Xenakis’s music – any piece of what we recognise as his mature work, starting with 1954’s Metastasis, onwards – you’re confronted with an aesthetic that seems unprecedented according to any of the frames of reference that musical works usually relate to. You won’t hear vestiges of things…