Cancel the Election: “Democracy isn’t pretty; make sure the old whore’s syphilis scars are on full display as she gracelessly expires.” Concrete and Glass: “Do you want to know why [JG] Ballard’s late 1960s and 1970s output is based? Because it’s all about unstoppable civilisational decline, and the chances of thriving, despite everything, in the…
Tag: Twin Peaks
AI Offerings
I shared sun cult ephemera earlier today over at Second Power — my offerings from the world of text-prompted “AI” art. Below are some other items from those same art apps. This is a miscellaneous batch with no central theme.
WEEKEND LINKS: Siberia, Nicolas Cage/Nick Cave, the Cathedral, and Rebellion Against the Playbook
Have You Ever Met Nicolas Cage?/Do You Ever Add an Untrue Component to a Story to Make it More Interesting Than it Actually Is? (Nick Cave/The Red Hand Files): Suddenly, a security guy in a dark suit with an earpiece and shades steps out of nowhere and asks me if I’m Nick Cave. I say,…
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Weekend Links is on temporary hiatus, replaced by BEST OF TWITTER You do not need to be original, you just need to be able to synthesise. — ?Thomas A. Anderson | Optimisation Expert (@GRITCULT) August 11, 2020 Deleuze with Twin Peaks music pic.twitter.com/cGl8YBvvxa — Your Dad’s Public Housing Thot (@familyjewelsboi) July 31, 2020 33. Giving…
WEEKEND LINKS
A GUIDE to IANNIS XENAKIS’S MUSIC: “When you hear Xenakis’s music – any piece of what we recognise as his mature work, starting with 1954’s Metastasis, onwards – you’re confronted with an aesthetic that seems unprecedented according to any of the frames of reference that musical works usually relate to. You won’t hear vestiges of things…
Where Am I, and How Can I Leave?
FIRE WALK WITH ME, deleted scenes
Pandemic Inventory
Seems like a lot of people are taking inventory of their pandemic experiences, so I will too. (As someone on Twitter recently joked, citing Garrison Keillor: Nothing happened to me, and now I’m going to tell you about it.) Like millions of others, I spend a lot of time alone these days. Don’t my lonely…
“There is a voltage to the storytelling sending pictures that you can’t help feeling. It hits you hard. It’s like a gigantic system. It magnetises your consciousness and reception into a special pattern. It is floating and shining as though we have been drawn into a constellation that’s all tangled and detonating, warping like a psychological depth charge.”
Richard Marshall on TWIN PEAKS: The show’s piloting consciousness steers bright dark religious-type negotiations into hell. Formerly embraced and humanized archaic forces plus energies of indistinct feeling converse in simple, profound terms. They are struggling with elemental, chaotic images that are continually becoming more primitive. It has become a place of demons. All we register…
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the week in cityscapes pic.twitter.com/lBzhhOmYC1 — тцпдяапацт (@tundranaut) February 6, 2020 Position Desired: Cosmic Surf Lord — тцпдяапацт (@tundranaut) November 18, 2019 Diamanda Galás: ”Sólo puedo vivir si me enfrento cada día a la muerte” — тцпдяапацт (@tundranaut) January 14, 2020 chaos — тцпдяапацт (@tundranaut) January 29, 2020 Drag racing, sirens, power tools — тцпдяапацт…
Trap Worlds
Maybe the best fan theory/analysis of TWIN PEAKS to surface yet. The analysis involves a “trap world.”
Light That Kills as Well as Illumines
“If we can’t hear people screaming in agony, how can we hear at all?” — Henry Miller Edgard Varèse I was digging through old blog posts recently and found a post that deserves a reboot. The topic of the post in question was Henry Miller’s book The Air-Conditioned Nightmare, which features some really great music…