Do Not Mistake Negative One for Zero: “Ultimately, the man who finds God is he who makes no claim at all, for God makes himself known in silence. Whether he is a ‘theist’ or an ‘atheist,’ a man will not find God until he approaches Him with fear and trembling, recognizing God’s awesomeness in comparison…
Tag: architecture
LINKS: Heat/Light/Deluge; Places of Peril; the Secular Ineradicability of Evil
Britain Must Go: “There is no justification for continuing to let this regime breathe. The United States has the means, and the duty, to end it, and a motive for doing so. The endpoint of the UK’s current trajectory is a nuclear-armed jihadi state in the heart of the American Atlantic lake. This outcome must…
weekend links: death cults, wilderness, eternal tension
Beyond Thaumatophobia 3: The End of the Age of Reason: “[My father, a] lifelong materialist…was startled one day to hear his mother’s voice from the ground floor of his house, calling his boyhood nickname. That was a bit of a surprise, since she was 300 miles away at the time. Startled, he went to look,…
Q&A with @Stahlblau4 — Amphibious Geopolitics, Afghanistan, Junkspace, the Mirror of Galadriel, Cybernetics, and Prayer
Cornelius Stahlblau is a writer whom I’ve struck up a friendship with via Twitter and through Justin Murphy‘s Indie Thinkers group. He authors The Outpost, a substack blog devoted to organic prophecies, esoteric analysis and wild speculation on things you didn’t even know were happening. To get acquainted with The Outpost‘s style, I would first…
Lost and Found in the Cartographical Matrix
I’ve been thinking about “place” a lot lately. Thinking about “place” led to me write this blog post, which got me digging through the great book Applied Ballardianism again, and a chapter called “Cartographies of the Infinite,” where author Simon Sellars contemplates whether future cities can be “tuned to produce a kind of stereoscopic urbanism.”…
WEEKEND LINKS
A GUIDE to IANNIS XENAKIS’S MUSIC: “When you hear Xenakis’s music – any piece of what we recognise as his mature work, starting with 1954’s Metastasis, onwards – you’re confronted with an aesthetic that seems unprecedented according to any of the frames of reference that musical works usually relate to. You won’t hear vestiges of things…
Totemcraft
monkeying around with some fun apps pic.twitter.com/Z34PkfP9vP — тцпдяапацт (@tundranaut) May 23, 2020
STEREOSCOPIC URBANISM
‘In Ballard, trends (and flaws) in architectural design are pursued to their logical extremes…the unspoken tension and psychopathology engendered by such scenarios is recycled, reheated and allowed free rein to play itself out to the bitterest of ends.’https://t.co/IbcFM5dpfU — тцпдяапацт (@tundranaut) March 20, 2020 SOURCE: Ballardian.com: “In a sense, Ballard’s work is about nothing but…